• Clarence says: Please join us for an evening of visual and spoken art at 45 N. Cedar on April 18th!

    Clarence says: Please join us for an evening of visual and spoken art at 45 N. Cedar on April 18th!

    Apr
    15
    2014
  • Latin Icon and Migration Exhibit has the goal to showcase Oberlin students’ artwork around Hispanic/Latin America and their oral narratives. 
Notions of consumerism, identity and acceptance are displayed in this exhibit through many different mediums such as mapping, paintings, collages and bookmaking. 
The exhibit features threes participants, Margaret Middleton (OC ‘17), Annika Stridh (OC ‘14) and Gabriela Hurtado Ramos (OC ‘16). Each of these participants have different experiences around issues of migration and heritage. 

    Latin Icon and Migration Exhibit has the goal to showcase Oberlin students’ artwork around Hispanic/Latin America and their oral narratives. 

    Notions of consumerism, identity and acceptance are displayed in this exhibit through many different mediums such as mapping, paintings, collages and bookmaking. 

    The exhibit features threes participants, Margaret Middleton (OC ‘17), Annika Stridh (OC ‘14) and Gabriela Hurtado Ramos (OC ‘16). Each of these participants have different experiences around issues of migration and heritage. 

    Apr
    15
    2014
  • Apr
    15
    2014
  • Message for obie artists
Here is a blurb from yer fellow Obie, Alec Mapes-Frances. He’s currently writing a piece for Wilder Voice on the history/theory of the selfie and is looking for an artist to semi-collaborate with who will create some work corresponding with and inspired by his topic. For this piece specifically, Alec is looking for one or more people to create some form of visual and/or media based work with the “selfie” in mind. While most pieces at Wilder Voice have only one artist creating work, due to the nature of this piece we felt that multiple artists could be interesting and valuable in creating a visual response.

If you are interested, contact Alec at amapesfr@oberlin.edu (and pleaes Bcc  Taia Kwinter, please!) and we’ll be in touch with you to talk more about the project and move forward with creating work! 

Here is Alec’s description: 


I’m looking for artists/photographers/image-makers who’d be willing to provide work to be published with my upcoming piece in Wilder Voice magazine. The piece is about selfies. 

In contemporary discourse, the selfie has been recognized as a new kind of photography, coinciding with radical technological changes and new ways of thinking about representation, bodies, and the psychosocial. Whether deemed positive or negative, the selfie is often identified as a ‘symptom’; that is, as a sign of some condition or desire located at the very base of our collective online psyche. Overwhelmingly, the diagnosis has been ‘narcissism’—or, on the opposite side, a healthy will to ‘self-expression.’ My Wilder Voice piece is intended to intervene in this limited discussion and provide new ways of looking at the selfie which account for its multiplicities and its tendency to efface traditional conceptions of selfhood. I’m exploring the selfie’s discontinuities and lacunae, its concealment and displacement of bodies, its quasi-‘schizophrenic’ unfixing  of the self.

If you’d be into responding to these ideas photographically/visually, please get in touch at amapesfr@oberlin.edu. Thanks very much!

Alec Mapes-Frances




(text courtesy of Taia Kwinter, photo courtesy of The Telegraph)

    Message for obie artists

    Here is a blurb from yer fellow Obie, Alec Mapes-Frances. He’s currently writing a piece for Wilder Voice on the history/theory of the selfie and is looking for an artist to semi-collaborate with who will create some work corresponding with and inspired by his topic. For this piece specifically, Alec is looking for one or more people to create some form of visual and/or media based work with the “selfie” in mind. While most pieces at Wilder Voice have only one artist creating work, due to the nature of this piece we felt that multiple artists could be interesting and valuable in creating a visual response.
    If you are interested, contact Alec at amapesfr@oberlin.edu (and pleaes Bcc  Taia Kwinter, please!) and we’ll be in touch with you to talk more about the project and move forward with creating work! 
    Here is Alec’s description: 
    I’m looking for artists/photographers/image-makers who’d be willing to provide work to be published with my upcoming piece in Wilder Voice magazine. The piece is about selfies. 
    In contemporary discourse, the selfie has been recognized as a new kind of photography, coinciding with radical technological changes and new ways of thinking about representation, bodies, and the psychosocial. Whether deemed positive or negative, the selfie is often identified as a ‘symptom’; that is, as a sign of some condition or desire located at the very base of our collective online psyche. Overwhelmingly, the diagnosis has been ‘narcissism’—or, on the opposite side, a healthy will to ‘self-expression.’ My Wilder Voice piece is intended to intervene in this limited discussion and provide new ways of looking at the selfie which account for its multiplicities and its tendency to efface traditional conceptions of selfhood. I’m exploring the selfie’s discontinuities and lacunae, its concealment and displacement of bodies, its quasi-‘schizophrenic’ unfixing  of the self.
    If you’d be into responding to these ideas photographically/visually, please get in touch at amapesfr@oberlin.edu. Thanks very much!
    Alec Mapes-Frances
    (text courtesy of Taia Kwinter, photo courtesy of The Telegraph)
    Apr
    15
    2014
  • NEW FALL 2014 HALF COURSE ON CONSERVATION!

    ARTS 220 Conservation of the AMAM King Sculpture Court 

    Fridays, 2:30-4:20pm (Art 172/ Seminar Room)    

    First Module, Half Course 

    Heather Galloway - Course Limit: 12, Consent of Instructor Required

    Taught in conjunction with the cleaning of the Allen Memorial Art Museum King Sculpture Court, this class will look at conservation decision-making as it relates to the decorative painted surfaces. The class will introduce students to the interdisciplinary nature of conservation by emphasizing the ways that conservators draw on science, art, and art history in their work.  We will examine a number of factors that determine protocols for the cleaning and retouching of the Allen’s decorative cycle. These include scientific analysis, cleaning tests, the aging characteristics of paints and varnishes, and archival research. We will take the opportunity to observe the conservation work as it unfolds.

    Intended to be open to students from all disciplines, the course has no prerequisites. As the class size will be kept small to accommodate teaching in the museum consent is required. Please email hgallowa@oberlin.edu and indicate your year, major and your interest in the class. 

    (picture from the Allen’s official blog)

    Apr
    10
    2014
  • Call for 2-D Art

    To be shown in Fisher Gallery this commencement 2014 alongside artworks from the Allen’s Art Rental Program! 
    A group of Exhibition Initiative members are working to put on an art show that is centered around the theme of two dimensional artworks. The incentive for this show is specific to Oberlin, an environment where many recent student shows have overlooked more traditional mediums, reaching out to artists who make work within the realm of two dimensions - such as drawing, painting, and collage. Several ExI members are working on this show, eager to remind the audience of the great value of traditional mediums: that paintings on a wall can still inspire its viewers - even if its been done a million times before. Additionally, the group is working with the Allen to incorporate other two-dimensional works from the museum’s Art Rental Program to create themes with which the student work that is submitted can react to and interact with. 
    The show will feature three over-arching themes identified by works from the Allen. Please submit works inspired by / in response to / in dialogue with the following works from the Allen’s Art Rental Program under one of the following themes:
    -Approaches to portraiture / Alice Neel, Olivia ; Rev. Albert Wagner, Remember It’s Just Maybe
    -Approaches to abstract work / Frank Stella, Lithograph; Forbes Whiteside, Untitled
    -Approaches to process-based work  / Claes Oldenburg, Plate XII;  Barbara Strasen, A Day in the Desert, #23
    Please visit exhibitioninitiative.com for more information. Email image submissions to exhibition.initiative@gmail.com by APRIL 25, 2014! Include dimensions please! This event is in conjunction with Exhibition Initiative.
    Apr
    10
    2014
  • Safe + Sound: call for artists

    Safe + Sound is a collaborative public media installation that functions as a monument to the impact of sexual and intimate violence, through the process of storytelling. The installation aims to break the silence by sharing the stories and experiences of community members related to any form of sexual harassment, assault, exploitation and violence. No experience is insignificant and we believe this is an issue that can impact all of us.

    Break the silence by sharing your experiences and telling your stories. Experiences and stories can be shared in many forms. 

    Written stories can be submitted anonymously via this form: https://docs.google.com/forms/d/1HLJhnzbK2tPDBSq4iztoCaAGmsThbl_dRPXM0d1Kv1s/viewform

    Works of visual art and audio pieces can be submitted to Sophie Hess (shess@oberlin.edu) or Tinni Bhattacharyya (sbhatta2@oberlin.edu). If there is another way you would like to express your experiences feel free to contact Sophie or Tinni.

    Submission deadline: WEDNESDAY, APRIL 16TH

    Apr
    10
    2014
  • Q: This is a little silly asking this through tumblr but I am doing research for an art history class about the correspondences between Sol LeWitt and Eva Hesse. Do you have any suggestions about where to search for primary documents (scans of their postcards/letters/conversations)?

    -asked by jketcher

    A: 

    archivesofamericanartlibrarian:

    jketcher:

    archivesofamericanart:

    Not silly at all! Although the best way to get a question like this answered by our reference staff is to submit it through our Ask Us page, we gladly accept questions in any format.

    In our collections your best bet would be the microfilm of the Eva Hesse papers, which contains 524 letters and postcards. To consult these you would talk to one of the librarians at your school and they can arrange for us to send a copy of the microfilm through interlibrary loan, or, if you are near DC or NY you can come to our offices to consult the microfilm. You may also want to check out our oral history interview with Sol Lewitt from 1974 (the transcript is online), although he only mentions Hesse briefly.  

    Beyond our collections, you will definitely want to check out the Eva Hesse Archives at Oberlin College’s Allen Memorial Museum of Art - they have digitized what looks like a substantial portion of the archives and it does appear to include correspondence from Lewitt.

    Good luck!

    Bettina Smith

    Digital Projects Librarian and Tumblarian, Archives of American Art

    Social media is amazing, people are lovely, and I’m geeking out a little bit. 

    Always happy to support the cause of geeking out over art history!

    Especially if it involves Oberlin! ;)

    Apr
    08
    2014
  • Currently on display at Printed Matter in New York is book art by former Oberlin professor, Athena Tacha.

The focus of Tacha’s practice ranges broadly. She examines abstract geometries, creates intimate narratives, and builds scientific records. The mediums Tacha utilizes are as diverse as her subject matter, and her talents as photographer, sculptor, author, designer and architect are evidenced in the diversity of publications she has produced over the past four decades.

The show features a complete run of her printed works. For more information, click here.

    Currently on display at Printed Matter in New York is book art by former Oberlin professor, Athena Tacha.

    The focus of Tacha’s practice ranges broadly. She examines abstract geometries, creates intimate narratives, and builds scientific records. The mediums Tacha utilizes are as diverse as her subject matter, and her talents as photographer, sculptor, author, designer and architect are evidenced in the diversity of publications she has produced over the past four decades.

    The show features a complete run of her printed works. For more information, click here.

    Apr
    08
    2014
  • Lecture by James Zemaitis (OC ‘90)

    Wednesday, April 9

    4:30pm

    Classroom 1

    "James Zemaitis, an alum of Oberlin College and former student docent at the museum (winter term 1990), will be giving a talk on his career in the auction house field. 

    "Adventures in Modernism: One Obie’s Journey in the New York Design World" - He once sold a sofa for $250,000. Furniture aficionado James Zemaitis has propelled the market for modern fine art in senior positions at Sotheby’s, Phillips, and Christie’s. Currently a curatorial consultant for the Indianapolis Museum of Art and pursuing study at Bard Graduate Center, Zemaitis earned his bachelor’s degree in art history at Oberlin College."
    (thanks to Jason Trimmer)
    Apr
    08
    2014

  • Clarence says: There are currently two exhibits of East Asian art at the Cleveland Museum of Art!

    The Cleveland Museum of Art will present Remaking Tradition: Modern Art of Japan from the Tokyo National Museum which features over 50 masterpieces of modern Japanese art from the Tokyo National Museum. Exhibition highlights include six objects considered ‘Important Cultural Properties of Japan.’ These include Dancing Lady Maiko Girl by Kuroda Seiki and Portrait of Reiko by Kishida Ryusei as well as other important works in Japanese modern art history such as Mount Fuji Rising above Clouds by Yokoyama Taikan and Spring Rain by Shimomura Kanzan. This will be one of the largest exhibitions focused on Japanese modern art on view in the United States since World War II.

    Beijing: Contemporary and Imperial: Photographs by Lois Conner is a vast visual tour of contemporary China, allowing us to reflect on China’s rising power in the context of its history and cultural landscape. The exhibition covers a span of three centuries, embracing the dynastic glory of the Qing and its decline, the revolutionary 20th century, and the post-imperial and post-socialist story of Beijing and China today.

    Click the exhibit titles to visit the page for more information, and then get out to Cleveland to see these fantastic shows!

    Apr
    08
    2014

  • converginglinesbma:

    Postcard from Sol LeWitt to Eva Hesse, postmarked July 12, 1968.

    All postcard images courtesy of Allen Memorial Art Museum, Oberlin College, Ohio.  Eva Hesse Archive, Gift of Helen Hesse Charash.  © The Eva Hesse Estate. Courtsey Hauser & Wirth  © Estate of Sol LeWitt/ Artist Rights Society (ARS)

    Apr
    03
    2014
  • Call for Visual Arts Writers - Arthopper.org

    Arthopper.org, a contemporary visual arts journal, accepts unsolicited submissions that demonstrate a “point-of-view” from artists, critics, scholars and those with a passionate interest in contemporary art, design and craft. We publish writing on contemporary art, artists and issues directly relevant to the Greater Lake Erie Region: Detroit, Cleveland, Columbus, Cincinnati, Pittsburgh, Buffalo, Toronto, Grand Rapids, Ann Arbor, Toledo, Lansing, Dayton, Akron, Erie and all the areas in between.

    There are no word limits except for Shorts but submissions should be of an appropriate and readable length. All submissions should take a creative approach, demonstrate professionalism and show awareness of the field. While descriptions of work are necessary, articles must state an opinion.

    We currently offer a $50 honorarium for published feature articles.

    Arthopper.org does not publish between December 15 – January 5 and from July 1 to August 15.

    We do NOT consider previously published work. Simultaneous submissions are not accepted

    Types of Articles

    Reviews of Exhibitions:
    Reviews should be timely, include the show title, venue name, dates, and other relevant information. Faculty and student exhibitions are not eligible for publication.

    Essays and Opinion Pieces:
    Our focus is on content ranging from the scholarly to the irreverent however prose should be accessible to a wide readership.

    Interviews and Profiles:

    We seek interviews with artists and thought leaders from our art communities.

    Shorts:

    A Short offers easily digestible information on exhibitions and events of interest and is 250 words or less

    Contact:
    editor [at] arthopper.org

    More Information:
    http://www.arthopper.org/submissions/

    (from Jimmy Kuehnle, Editor, Arthopper.org)

    Apr
    03
    2014
  • In Solidarity is Oberlin College’s biannual publication dedicated to providing a space for the creative and intellectual expression of Oberlin College’s students of Color. In Solidarity publishes videos, music, photography, art, essays, poems, and short stories of all varieties and genres. Our submission policy remains deliberately open to encourage submissions reflecting the many creative and intellectual minds adding color and life to our communities.

    THEME: (com)passion

    DEADLINE: April 20

    Please send submissions to insolida@oberlin.edu

    Apr
    03
    2014
  • OUR NIXON: Screening followed by Q&A with filmmaker PENNY LANE

    Tuesday, April 1 

    7 PM 

    Nancy Schrom Dye Lecture (A162 - Science Center)

    sponsored by Julia Christensen’s Advanced Media Projects course & the Ellen Johnson Fund

    OUR NIXON:

    Throughout Richard Nixon’s presidency, three of his top White House aides ­obsessively documented their experiences with Super 8 home movie cameras. Young, idealistic and dedicated, they had no idea that a few years later they’d all be in prison. This unique and personal visual record, created by H.R. Haldeman, John Ehrlichman and Dwight Chapin, was seized by the FBI during the Watergate investigation, then filed away and forgotten for almost 40 years. OUR NIXON is an all-archival documentary presenting those home movies for the first time, along with other rare footage, creating an intimate and complex portrait of the Nixon presidency as never seen before.

    PENNY LANE: 

    Penny Lane has been making award-winning documentaries and essay films since 2002.  Her first feature documentary, OUR NIXON, world premiered in 2013 at the International Film Festival Rotterdam, had its North American premiere at SXSW, and was selected as the Closing Night Film at New Directors/New Films. OUR NIXON went on to win awards at film festivals such as Seattle, Nantucket, Ann Arbor, Traverse City and IFFB, before being jointly released by Cinedigm and CNN Films.  Penny is a Creative Capital grantee and was named one of Filmmaker Magazine’s “25 New Faces of Independent Film” in 2012. She has been awarded grants for her work by Cinereach, Tribeca Film Institute Documentary Fund, LEF Foundation, New York State Council on the Arts, Adrienne Shelly Foundation, Experimental Television Center, IFP and the Puffin Foundation. She was named “Most Badass!” at the Iowa City Documentary Film Festival in 2009.  Her short experimental films, such as THE VOYAGERS (2010), THE COMMONERS (2009), SHE USED TO SEE HIM MOST WEEKENDS (2007) and WE ARE THE LITTLETONS (2004), have screened and won accolades at film festivals such as Rotterdam, Images, IMPAKT, FLEX FEST, Citizen Jane, New Orleans Film Festival, AFI FEST and Rooftop Films. Her short documentary THE ABORTION DIARIES (2005) has become an important organizing and educational tool across the nation. THE ABORTION DIARIES has screened in 42 states & worldwide at over 350 different community venues, ranging from bars to art centers to clinics to colleges, and also on Yes! Television and Free Speech TV.  She has taught film, video and new media arts at Bard College, Hampshire College and Williams College, and is currently an Assistant Professor in the Department of Art and Art History at Colgate University.  And yes, Penny Lane is her real name!
    Apr
    01
    2014
1/35

Powered by Tumblr | Crystalline designed by Sonny T.

Coffee with Clarence: The Arts at Oberlin

Welcome to Coffee With Clarence, an Oberlin art community blog run by the Clarence Ward Art Library. Check back to find out about art events, new books at the library, work by Oberlin College students and just anything that's interesting and art-related.
EXTRAS